Thee Snake Charmers What the heck does that sound like?
Take a gander at this small selection of CD and LP covers. All that and more is in our sound to some extent, here and there. That we invent and reinvent our sound based on our current interests, does not presuppose that we leave our older passions behind.
You can get a sense of what that amounts to by clicking on the green Spotify button, and giving us a spin.


The who of our what
Steeped in all the music we ever loved, and some that we hated, but liked something about. Put together with idiot glee for your enjoyment. So who exactly are these folks.
Connie Walkershaw
Connie has a mixed up musical resume. She plays alto , Tenor and Soprano Saxophones , sometimes 2 at a time. She cut her teeth playing Middle eastern music as a tween in a belly dance orchestra, and later formed a succession of art bands, bringing her own angular take on genres as diverse as Klezmer and Latin Boogaloo, imbuing all of them, through her composition’s with a different vitality.


Andy Charmatz
Andy claims he is TheE Snake Charmers secret weapon, providing guitar textures, counterpoints and harmonies as well as an extra layer of vocals. He has recorded and performed most recently with Brother Spellbinder, Fog Swamp, Luminous Newts and The Reliables.


Rick Kennon
Rick plays bass drum and snare for TheE Snake Charmers. Best known for playing "Moof" in the short lived sitcom "Bad Vanilla," Mr Kennan also painted a house that once was owned by Gavin Newsom, supervised a person who made a hamburger for Nicolas Cage, personally parked a car for Sharon Stone, and spent three days painting an SRO apartment next to a dead man. He also plays drums for rock band " The 19's".


Jesse Walkershaw
Jesse plays the bass, or at least at times appears to. He can play in the pocket, but is often searching the pockets of other musical ideas for loose change, adding rhythmic elements between his notes, which are the bane of many a recording engineer (just what is that clickity clacking sound in the chorus?). With a transistor radio glued to his ear, the youthful Jesse absorbed the hit parade of New York City radio in it’s most fertile decade, which shines through in both his instrumentals, and his very retro pop song writing.


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